Introduction The only complete and infallible source of truth in the universe in contained in God's holy Scriptures. These articles of faith represent a brief summary of many of the aspects of the truth that God has revealed to us in His Word over time.
Framing The way in which subjects and objects are framed within a shot produces specific readings. Size and volume within the frame speak as much as dialogue. So too do camera angles. Thus, for example, a high-angle extreme long shot of two men walking away in the distance, as in the end of Jean Renoir's La Grande Illusion, points to their vulnerablility - they are about to dissapear, possibly die.
Low angle shots in medium close-up on a person can point to their power, but it can also point to ridicule because of the distortion factor. Drawing in particular on Freud's theory of libido drives and Lacan's theory of the mirror stage, they sought to explain how cinema works at the level of the unconscious.
Indeed, they maintained that the processes of the cinema mimics the workings of the unconscious.
The spectator sits in a darkened room, desiring to look at the screen and deriving visual pleasure from what he or she sees. Part of that pleasure is also derived from the narcissistic identification she or he feels with the person on the screen. But there is more; the spectator also has the illusion of controlling that image.
First, because the Renaissance perspective which the cinematic image provides ensures that the spectator is subject of the gaze; and second, given that the projector is positioned behind the spectator's head, this means that the it is as if those images are the spectator's own imaginings on screen.
Feminists took up this concept of the gaze and submitted it to more rigorous analysis.
Laura Mulvey's vital and deliberately-polemical article, Visual Pleasure and Narrative Cinema started the debate by demonstrating the domination of the male gaze, within and without the screen, at the expense of the woman's; so much so that the female spectator had little to do, gaze upon or identify with.
The exchange or relay of looks, as it is also known within film reproduces the voyeuristic pleasure of the cinematic apparatus but only for the male.
In fact, given that woman is normally, both within the film and on screen, the prime object that is being looked at, and thus controlled much feminist film theory has argued that the gaze is male through and through. It has thus been held that by attempting to expose how woman is constructed cinematically as an object of the male gaze, it is possible to deconstruct the normalising or naturalising process of patriarchal male socialisation.
The iris can also be used to focus attention on a detail of the scene. Key light The main light on a subject. Usually placed at a 45 degree angle to the camera-subject axis.
In high key lighting, the key light provides all or most of the light in the scene. In low key lighting, the key light provides much less of the total illumination.Swami Sivananda explains the importance of celibacy for spiritual practice.
Feb 14, · Cassie De Pecol, pictured planting a tree for peace, is the fastest woman to visit every country on earth and the first documented woman to visit every sovereign nation.
A Woman of No Importance is a play by Irish playwright Oscar attheheels.com play premièred on 19 April at London's Haymarket attheheels.com Wilde's other society plays, it satirizes English upper-class society.
It has been performed on stages in Europe and North America since his death in Visit Yahoo Help. Yahoo Japan users - please visit Yahoo Help to learn how to add your email address.
Dear Goddess Ezada. The words You scribe here are ones of the utmost truth and importance. Marking your property to cement Your ownership, is an act never to be taken lightly. A Woman Of No Importance Themes: The author Wilde criticises the victorian upper class in a variety of different ways.
They are usually throughout the first two acts in the abundance of witty dialogue the protagonists engage in. A Woman of No Importance, .